![]() "Plus he had a whole instructional element to them as well he provided visual tutorials way before the Internet and YouTube. "I think this book has cult status because of the transformations, showcasing these amazing photos of makeup done on beautiful people both famous and not," explains Ahn, who got immediately hooked on Making Faces after discovering it at a book store in the mall as a teenager. ![]() As part of the “Makeup Houseparty” series she started while social distancing, Ahn paid tribute to Aucoin, the " original makeup influencer," by doing his signature heavy-handed, yet deftly executed highlight and contour techniques, which he illustrated on his sister in Making Faces. "I look through this book pretty frequently so it was no different during quarantine," laughs makeup artist Grace Ahn. Ganzer isn't the only one revisiting Aucoin's tour de force, or rather, spending even more time with it. "It seems like everyone needed the distraction as much as I did, and I got so many direct messages from people saying they still had their copy and how much it influenced them too growing up." "I couldn’t believe the response I got from everyone when I posted the final look," explains Ganzer. After completing the meticulous process-glueing down her brows, concealing them, and drawing on new ones, etc.-she used Photoshop to edit an iPhone photo to mimic the soft-focus, Vaseline-over-the-lens effect of the original black and white film portrait. The first look that Ganzer took on was "The Sophisticate," which was originally modeled by Drew Barrymore, and telegraphs the pronounced smoky eyes, arched pencil-thin brows, and pronounced Cupid's bow lips of the Depression Era. Some standout moments include Janet Jackson as Dorothy Dandridge, Isabella Rossellini as Barbra Streisand, and Susan Sarandon as Bette Davis. Seeking a healthy distraction and creative outlet while in isolation at her Los Angeles home, she dusted off her old copy of Making Faces and challenged herself to recreate the book's "Great Looks" chapter, in which Aucoin, widely considered the world's first celebrity makeup artist, transforms his famous clients into prominent entertainers or cinematic archetypes with uncanny character makeup. "This is not changed my life."Īfter work came to a crashing halt amid the COVID-19 pandemic, Ganzer, like many of her peers, was hit with a wave of uncertainty and fear about the future of her industry. "When I was 17 or 18, I got it as a gift from a friend of mine who knew it was my dream to be a makeup artist," explains makeup artist Sandy Ganzer. Many pros remember the first time they pored through the late visionary's how-to tome, and the subsequent visceral reaction they had to it. ![]() In the makeup world, Kevyn Aucoin’s iconic 1997 book Making Faces is largely considered the bible of its field-and not without reason. ![]()
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